"Well," said Mrs. Gereth profoundly, "it will be clear enough that Mona has." "Awfully, haven't we?" He spoke with the stupidity she didn't object to. Inarticulate as he was, he had more to say; he lingered perhaps because he was vaguely aware of the want of sincerity in her encouragement to him to go. "There's one thing, please," he mentioned, as if there might be a great many others too. "Please don't say anything about Mona."!

Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?" "I'm sorry he's out. He's always out—all day long."

She was in a fever of ingenuity and painfully conscious, on behalf of her success, that her fever was visible. She could herself see the reflection of it glitter in Mrs. Gereth's sombre eyes. Fleda gave her a faint smile. "He'll come if he can." "Then of course she won't like your changing."